Album Review – Edging God Out by Loki – 13/6/13

Posted: 14/06/2013 in Local Music
Tags: , , , , , , , , ,


As soon as the beat of the nineteen-track behemoth’s opener The Lazarus Project reaches its operating velocity – by way of a poignant Jacques Fresco sample from the conspiracy documentary Zeitgeist: Addendum – Loki sets out his steadfastly uncompromising stall, hurling forth bar after bar of intelligent, witty and distinctly passionate lyricism. As the elapsed track time approaches two and a half minutes, inevitably marking at least the third instance of the listener gasping for respite from the weight of the verbal onslaught, the narrator imparts:

“I retain a fresh autonomy, a skeptic obviously,

Developing an odyssey of relevant, effectual intellectual property,

That walks the plank the day I die,

When Darren says goodbye and breaks the barricades of life.”

This declaration, a manifesto delivered in ten seconds and exhibiting a grasp of language and internal rhyme that would proudly top the pedestal of a lesser artist’s track, makes up just one of the opening salvo’s numerous cues for sharp inhalations of breath.

Next up, the listener is granted a brief respite as a string section leads into what is undoubtedly the most radio-friendly (which is to say that the hook – provided by Becca Starr – is off the scale in terms of catchiness, rather than that the material is even close to being tame enough to be entertained by the mainstream) number on Edging God Out, sporting the title Sinister and thereby doing a fine job of encapsulating the overarching feeling conjured up by the album.

As impressively proficient as the lyrics, flow and production of the album are, one could be forgiven for entertaining the concern that Edging God Out may rely too heavily on the showcasing of wit and braggadocio and not enough on the conveyance of genuine feeling. Forgiven, that is, until they reached the gritty but ultimately motivational Jump which wraps complex verses laden with confessions of an unhappy childhood around a simple refrain of ‘It’s no’ me against the world, it’s us.”

Elsewhere, Arlington Road sees a genuine storyteller in his element, as the listener is pulled along through a night of drunken paranoia, and The Wall – kicking off with a Charlie Kaufman quote that perfectly foreshadows the song’s content – exposes a captivating inner monologue that seems to seep out of the speakers and surround the listener, leaving the air pregnant with the malevolent threat of imminent suffocation, especially as the narrative comes to a close and the track fades out to the sound of distressed breathing accompanied only by fading echoes of the beat.

Interesting headphone listening…

Now, to go any further without addressing what is a truly mesmerising force behind this album would be wrong and, as such, a minute must be taken to talk about just how furiously angry some of this material sounds. This sense of barely restrained rage permeates the release to the extent that, on certain tracks, the moments when Loki isn’t rapping seem to pulse with the impression that he is having to consciously hold himself back in a concerted effort to channel his rage enough, just to stay on beat. Of course, the speed at which the rhymes peel out between the beats only serves to enhance this. Don’t Gee Me That Patter sees the needle on the anger scale hovering somewhere around the “fuckin’ ragin’” mark – perfectly complimented by an truly filthy sounding bassline – but, as he seethes through album highlight Loki’s the Name, the delivery takes a turn towards the positively venomous.

A large segment of Edging God Out evidently serves as catharsis for its purveyor and this is as clear on the album’s more reflective tracks – a la Smile at the Sky and Focus – as it is during the moments of unshackled verbal chaos, such as during the passages on title track Edging God Out where betrayals past are laid bare and What Time is it in Melbourne which stands as a compellingly transparent exorcism of personal demons.

As such, there aren’t a great deal of relevant negatives to be dealt with here. Sure, there are some tracks that may not stand up to the test of repeated listening but these are few and far between and such an outcome is an inevitable consequence of releasing an album nineteen tracks long.

One could then, of course, argue that prudence should have dictated a need for a more ruthless editing process but a fair amount of the original mix has already been dropped (available here) and, as mentioned before, the work as a whole gives the impression of serving as a release for emotions bottled up for too long and to cut it down any further would perhaps be to lose some of what is so captivating in the first place.

Being brutally realistic, Scottish hip hop is still very much a niche market and, like any work of genuine passion disseminated throughout a small scene, it would be easy for the cynical to dismiss the level of effort poured into this release as a misuse of energy that might yield greater rewards elsewhere. In addition, the deliberately provocative nature of lines such as “I’m not sexist but reserve the right to call you a cow” coupled with the prolific bandying about of the word ‘cunt’ also serve to keep the risk of Loki’s output achieving mass appeal fairly slight.

For the already initiated and those with their finger anywhere near the pulse, however, this is well worth a listen or twelve. The pages of Sixteen Sixteen Six have made no effort to hide a wealth of admiration for Scots rap duo Hector Bizerk and any fans of theirs who aren’t already familiar with Loki are guilty of a tremendous disservice to themselves. If Hector embody the swagger and flash of the Scottish hip hop scene, Loki embodies the heartfelt passion and painfully gritty realism.

Overall, with Edging God Out, Loki shows himself to be a hugely gifted storyteller with a staggering ability to channel a genuinely charismatic rage. The work feels honest and the sheer volume of material comprising this project is admirable in itself.

And who gives a fuck about the haters anyway, eh?

Edging God Out is released on Saturday 15th June and you can catch the album launch show on Friday 14th June in Glasgow’s Nice N Sleazy.

Loki on Facebook

Lokis’ the Name music video

  1. YER DA says:

    Best rapper in the UK.

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